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| S.No. | KEYWORD | TITLE | AUTHOR | PAGES | YEAR | ISSUE_VOL | JRNLCODE |
| 0001 | 108 Ragatalamalika Of Nerur Srinivasachariyar | Compositions Of Nerur Srinivasachariyar | Mythili Ranganathan | 100-112 | 2000 | LXXI | JMA |
| 0002 | 35 Talamalika Of Nerur Srinivasachariyar | Compositions Of Nerur Srinivasachariyar | Mythili Ranganathan | 100-112 | 2000 | LXXI | JMA |
| 0003 | 72 Mela Ragamalika Of Nerur Srinivasachariar- Notn | 72 Mela Ragamalika - (I Cakra) Song Notation Of Nerur Srinivasachariyar | Mythili Ranganathan- Ed. | 116-118 | 2000 | LXXI | JMA |
| 0004 | Abdul Karim Khan- Contribution | Proceedings Of The 46th Music Conference | 36-56 | 1973 | XLIV | JMA | |
| 0005 | Abheri - Dhaivatam | The Raga Abheri | Amy Ruth Catlin | 123-141 | 1995 | LXVI | JMA |
| 0006 | Abheri - History | The Raga Abheri | Amy Ruth Catlin | 123-141 | 1995 | LXVI | JMA |
| 0007 | Abheri - Lakshana Discussion | Proceedings Of The 74th Music Conference | 20-63 | 2001 | LXXII | JMA | |
| 0008 | Abheri - Lakshana | The Music Conference, 1931 | 48-80 | 1932 | III | JMA | |
| 0009 | Abhinaya | Bharata Natya | Raghavan V | 233-262 | 1974 | XLV | JMA |
| 0010 | Abhinaya | Dance Music And The Contribution Of Nattyacharyas To Karnatic Music | Kittappa K P, Sivanandam K P | 171-185 | 1977 | XLVIII | JMA |
| 0011 | Abhinaya | Development Of Bhava And Rasa In Bharatanatyam | Nirmala Ramachandran | 198-202 | 1983 | LIV | JMA |
| 0012 | Abhinaya | Development Of The Repertoire In Modern Bharata Natyam | Anne Marie Gaston | 95-134 | 1991 | LXII | JMA |
| 0013 | Abhinaya In Bharatanatyam | Nuances Of Bharatanatyam | Ramachandran K V | 118-138 | 1992 | LXIII | JMA |
| 0014 | Abhinaya Of Natyasastra-Abhinava's Comm. | Abhinaya And Abhinavagupta | Sudharani Raghupathy | 149-161 | 1986 | LVII | JMA |
| 0015 | Abhinaya Sara Samputa - Summary | Abhinaya Sara Samputa | 131-152 | 1932 | III | JMA | |
| 0016 | Abhinaya Sara Samputa - Text Iv Chapter | The Abhinaya Sara Samputa | 80-84 | 1945 | XVI | JMA | |
| 0017 | Abhinaya Sara Samputa (Text) Contd. | Abhinaya Sara Samputa (Text) Contd. | 97-118 | 1935-37 | VI-VIII | JMA | |
| 0018 | Abhinaya Sara Samputa -Introduction | Abhinaya Sara Samputa | 131-152 | 1932 | III | JMA | |
| 0019 | Abhinaya Sara Samputa Subject Index | Abhinaya Sara Samputa Subject Index | 137-145 | 1945 | XVI | JMA | |
| 0020 | Abhinayadarpanam In Telugu | Music And Dance Mss In Sarasvati Mahal, Tanjore | Vasudeva Sastri K | 168-182 | 1948 | XIX | JMA |
| 0021 | Abhinayamrutam | Abhinaya Sara Samputa (Tamiz) (Contd.) | 41-50 | 1933 | IV | JMA | |
| 0022 | Abraham Pandita-Biography | The Services Of Abrahampandita To Karnatic Music (Tamiz) | Danapandyan T A | 117-125 | 1984 | LV | JMA |
| 0023 | Abraham Pandita's Compositions | The Services Of Abrahampandita To Karnatic Music (Tamiz) | Danapandyan T A | 117-125 | 1984 | LV | JMA |
| 0024 | Academy Of Music, Trivandrum | Reviews | 186-187 | 1931 | II | JMA | |
| 0025 | Acalanandadasa | Karnataka Composers | Subba Rao T V | 22-47 | 1940 | XI | JMA |
| 0026 | Acarya Kailash Chandradev Brahaspati | Modern Mela Siddantha | Parthasarathy T S | 193-200 | 1984 | LV | JMA |
| 0027 | Accent In Tala | The Modes Of Rhthymic Expression In Contemporary Indian And Western Music | Rebecca Stewart | 68-76 | 1964 | XXXV | JMA |
| 0028 | Accompanists:Hindustani,Karnatak Concert | A Comparison Of Concert Patterns In Carnatic And Hindustani Music | Sakuntala Narasimhan | 134-139 | 1983 | LIV | JMA |
| 0029 | Accordion | Proceedings Of The 37th Music Conference | 24-46 | 1964 | XXXV | JMA | |
| 0030 | Acculturation In Music | Proceedings Of The 35th Music Conference | 32-58 | 1962 | XXXIII | JMA | |
| 0031 | Acoustical Properties Of Indian Drums | The Structure,Repair And Acoustical Properties Of The Classical Drums Of India-Mrdanga,Tabla | Dennis Murphy | 223-247 | 1965 | XXXVI | JMA |
| 0032 | Acoustics Of Music Academy Auditorium | Acoustics Of The Auditorium Of The Music Academy,Madras | Pancholy M, Chapgar, Davinder Singh | 145-162 | 1966 | XXXVII | JMA |
| 0033 | Acyutappa Nayak | Melattur Virabhadrayya's Compositions (Tamiz) | Anantasubramanyam T G | 54-58 | 1964 | XXXV | JMA |
| 0034 | Adavu | Bharata Natya | Raghavan V | 233-262 | 1974 | XLV | JMA |
| 0035 | Adavu | Dance Music And The Contribution Of Nattyacharyas To Karnatic Music | Kittappa K P, Sivanandam K P | 171-185 | 1977 | XLVIII | JMA |
| 0036 | Adavu | Inscriptions In Tamilnadu Relating To Dance | Padma Subrahmanyam | 122-132 | 1981 | LII | JMA |
| 0037 | Adbhutaramayana - Music References | Music In The Adbhuta Ramayana | Raghavan V | 65-72 | 1945 | XVI | JMA |
| 0038 | Adhara Shadja | Drone In Indian Music - A Psychological Approach | Deva B C | 126-152 | 1952 | XXIII | JMA |
| 0039 | Adhara Shadja | Melodic Perception | Deva B C | 112-115 | 1964 | XXXV | JMA |
| 0040 | Adhara Sruti | Music In The Sama Veda | Brinda Varadarajan | 169-180 | 1987 | LVIII | JMA |
| 0041 | Adi Tala | Desadi And Madhyadi Talas | Subba Rao T V | 92-94 | 1952 | XXIII | JMA |
| 0042 | Adibhatla Narayanadas-Biography | Sri Adibhatla Narayana Das And His Works | Pappu Venugopala Rao | 97-106 | 1983 | LIV | JMA |
| 0043 | Adibhatla Narayanadas-Harikatha Composer | Sri Adibhatla Narayana Das And His Works | Pappu Venugopala Rao | 97-106 | 1983 | LIV | JMA |
| 0044 | Adibhatla Narayanadas's Works | Sri Adibhatla Narayana Das And His Works | Pappu Venugopala Rao | 97-106 | 1983 | LIV | JMA |
| 0045 | Adiyappayya In Sangita Sampradaya Pradarsini | The Useni Svarajati | Raghavan V | 149-156 | 1946 | XVII | JMA |
| 0046 | Adiyappiah | Classical Carnatic Vaggeyakaras And Compositions Of The Pri-Trinity Period From Ssp Of Subarama Dikshitar | Ramakrishnan T S | 61-69 | 1972 | XLIII | JMA |
| 0047 | Adyantayya N M-Biodata | In Memoriam | 208-209 | 1966 | XXXVII | JMA | |
| 0048 | Adyatma Viveka Of Sarngadeva | The Non Musical Works Of Some Leading Music Writers | Raghavan V | 152-154 | 1949 | XX | JMA |
| 0049 | Aesthetics | Proceedings Of The 29th Music Conference | 20-43 | 1956 | XXVII | JMA | |
| 0050 | Aesthetics | Melodic Tensions And Musical Aesthetics | Mehta R C | 78-86 | 1959 | XXX | JMA |
| 0051 | Aesthetics | A Comparison Of Visual And Auditory Perception In Musical Experience | Ramabhadran G N | 116-137 | 1964 | XXXV | JMA |
| 0052 | Aesthetics | Proceedings Of The 50th Music Conference | 33-65 | 1977 | XLVIII | JMA | |
| 0053 | Aesthetics | Proceedings Of The 65th Music Conference | 22-56 | 1992 | LXIII | JMA | |
| 0054 | Aesthetics In Hindustani Music | Physics And Aesthetics Of Hindustani Music | Ayyar C S | 86-89 | 1951 | XXII | JMA |
| 0055 | Aesthetics Of Music | Indian Music And Aesthetics | Paranjape V G | 68-71 | 1957 | XXVIII | JMA |
| 0056 | Agama Texts - Music References | Agama Noolgalum Sangitamum (Tamiz) | Anantasubramanyam T G | 134-153 | 1979 | L | JMA |
| 0057 | Ahata,Anahata | Thoughts On Svaramelakalanidhi | Ramamurthi Pantulu S | 2-6 | 1933 | IV | JMA |
| 0058 | Ahiri Lakshana Discussion | The Experts Conference April 1930 | 221-231 | 1930 | I | JMA | |
| 0059 | Ahiri Lakshana Discussion | Proceedings Of Music Conference 1930 | 173-175 | 1931 | II | JMA | |
| 0060 | Ahiri Lakshana Discussion | Proceedings Of The 14th Music Conference | 9-19 | 1940 | XI | JMA | |
| 0061 | Ahirinata In The Lyrics Of Annamacharya | Some Raga Patterns Of The 15th Century And Their Setting In Annamacharya's Lyrics | Rajanikanta Rao B | 182-191 | 1983 | LIV | JMA |
| 0062 | Ahobala's Notes - Study | Ahobala And His Twelve Notes | Subrahmanya Sastri S | 267-270 | 1930 | I | JMA |
| 0063 | Akalanka In Sangita Sara Sangrahamu | The So Called Akalanka Or The Sangita Sara Sangrahamu | Raghavan V | 38-42 | 1941 | XII | JMA |
| 0064 | Akara Sadhaka | Teaching Of Music | Subba Rao T V | 76-80 | 1955 | XXVI | JMA |
| 0065 | Akkamahadevi - Life Sketch | Akkamahadevi As A Saint Singer Of Virasaiva Cult | Vedavalli M B | 107-117 | 2001 | LXXII | JMA |
| 0066 | Akkamahadevi's Vacanas | Kannada Javalis | Sastri B V K | 159-166 | 1974 | XLV | JMA |
| 0067 | Akkamahadevi's Vacanas - Analysis | Akkamahadevi As A Saint Singer Of Virasaiva Cult | Vedavalli M B | 107-117 | 2001 | LXXII | JMA |
| 0068 | Akondi Narayana Sastri | Lesser Known Composers Of Andrapradesh | Pappu Venugopala Rao | 157-162 | 1984 | LV | JMA |
| 0069 | Alankara | Music Materials And Music | Swami Prajnanananda | 132-136 | 1971 | XLII | JMA |
| 0070 | Alankaras In Sangita Parijata | Raga Alapa And Rasa Bhava (Tamiz) | Sankara Sivam C S | 74-83 | 1962 | XXXIII | JMA |
| 0071 | Alap In Dhrupad | Introduction To The Khyal | Keshavram Iyengar N | 83-88 | 1979 | L | JMA |
| 0072 | Alapa Angas Of Venkatamakhi | The Concept Of Alapa According To Lakshana Granthas,With Reference To Karnataka Music | Ramachandran N S | 98-112 | 1971 | XLII | JMA |
| 0073 | Alapa In Hindustani Music | Alap In Hindustani Music | Sumati Mutatkar | 77-80 | 1953 | XXIV | JMA |
| 0074 | Alapa Of Sahaji | Music At The Time Of King Sahaji Of Tanjore -A.D. 1710: Discovery Of New Manuscript Material | Vasudeva Sastri K | 90-96 | 1946 | XVII | JMA |
| 0075 | Alapa Of Sahaji | The Concept Of Alapa According To Lakshana Granthas,With Reference To Karnataka Music | Ramachandran N S | 98-112 | 1971 | XLII | JMA |
| 0076 | Alapa, Raga Lakshanas Of Matanga | The Concept Of Alapa According To Lakshana Granthas,With Reference To Karnataka Music | Ramachandran N S | 98-112 | 1971 | XLII | JMA |
| 0077 | Alapana | Raga Lakshana (Tamiz) | Sundaram Iyer P S | 153-159 | 1931 | II | JMA |
| 0078 | Alapana - Stages Of Exposition | Ragam Tanam Pallavi | Vedavalli M B | 158-164 | 1997 | LXVIII | JMA |
| 0079 | Alapana - Syllables To Be Used | Ragam Tanam Pallavi | Vedavalli M B | 158-164 | 1997 | LXVIII | JMA |
| 0080 | Alapana In Kalpana Svara Singing | Singing Of Kalpana Svaras | Kalidass Nilakantayyar | 53-55 | 1952 | XXIII | JMA |
| 0081 | Alapana Letters To Be Used | The Seven Lamps Of Sangita | Subba Rao T V | 55-63 | 1939 | X | JMA |
| 0082 | Alapana Syllables | The Concept Of Alapa According To Lakshana Granthas,With Reference To Karnataka Music | Ramachandran N S | 98-112 | 1971 | XLII | JMA |
| 0083 | Alapti In Sangitaratnakara | The Concept Of Alapa According To Lakshana Granthas,With Reference To Karnataka Music | Ramachandran N S | 98-112 | 1971 | XLII | JMA |
| 0084 | Alarippu | Pushpanjali | Satyanarayana Y | 98-104 | 1966 | XXXVII | JMA |
| 0085 | Alarippu | Traditional Compositions In Bharatanatya | Nirmala Ramachandran | 165-169 | 1982 | LIII | JMA |
| 0086 | Alarippu-Analysis | Nuances Of Bharatanatyam | Ramachandran K V | 118-138 | 1992 | LXIII | JMA |
| 0087 | Alathur Sivasubramanya Iyer-Biodata | Proceedings Of The 38th Music Conference | 49-51 | 1965 | XXXVI | JMA | |
| 0088 | Alathur Srinivasa Iyer-Biodata | Proceedings Of The 39th Music Conference | 60-62 | 1966 | XXXVII | JMA | |
| 0089 | Alatti In Silappadikaram | The Concept Of Alapa According To Lakshana Granthas,With Reference To Karnataka Music | Ramachandran N S | 98-112 | 1971 | XLII | JMA |
| 0090 | All India Music Conferences | K V Srinivasa Iyengar, Composer His Life And Times | Savitri Rajan, Michael Nixon | 74-89 | 1984 | LV | JMA |
| 0091 | Allied Ragas | Proceedings Of The 64th Music Conference | 23-60 | 1991 | LXII | JMA | |
| 0092 | Alliteration In The Padas Of Vasudeva Kavi | Compositions Of Vasudeva Kavi | Madhavi Rajagopalan | 67-77 | 1999 | LXX | JMA |
| 0093 | Alpha-Phoneme Theory | The Problem Of Continuity In Music And Sruti | Deva B C | 56-66 | 1965 | XXXVI | JMA |
| 0094 | Alvars | Ancient Music:The Music Of The Sama Veda And The Songs Of The Saivite And Vaishnavite Saints | Brinda Varadarajan | 164-188 | 1990 | LXI | JMA |
| 0095 | Amatya In Ramamatya | Thoughts On Svaramelakalanidhi | Ramamurthi Pantulu S | 2-6 | 1933 | IV | JMA |
| 0096 | Ambhujam Krishna's New Compositions | Proceedings Of The 39th Music Conference | 24-42 | 1966 | XXXVII | JMA | |
| 0097 | American Dance | New Trends In American Dancing | Clifford Jones | 108-112 | 1960 | XXXI | JMA |
| 0098 | American Dance | Proceedings Of The 33rd Music Conference | 28-55 | 1960 | XXXI | JMA | |
| 0099 | American Indian's Music | Proceedings Of The 39th Music Conference | 24-42 | 1966 | XXXVII | JMA | |
| 0100 | American Music | Proceedings Of The 33rd Music Conference | 28-55 | 1960 | XXXI | JMA | |
| 0101 | American Music-Oriental Influence | Proceedings Of The 30th Music Conference | 25-46 | 1957 | XXVIII | JMA | |
| 0102 | Amir Khusru | Gopala Nayaka | Ramachandran K V | 66-73 | 1946 | XVII | JMA |
| 0103 | Ampadi Kunjukrishna Poduval | Some Composers Of Malayalam Music | Venkitasubramonia Iyer S | 101-106 | 1954 | XXV | JMA |
| 0104 | Anai Ayya's Compositions | Noteworthy Contents In Other Journals | 102-123 | 1945 | XVI | JMA | |
| 0105 | Anai Ayya's Compositions | Proceedings Of The 70th Music Conference | 17-59 | 1997 | LXVIII | JMA | |
| 0106 | Anai Ayya Krtis - Notation | Anai Ayya Kritis | Sankaran T -Ed. | 263-268 | 1973 | XLIV | JMA |
| 0107 | Ananda Dasa | Purandaradasa Sishya Parampara | Chennakesaviah N | 107-124 | 1969 | XL | JMA |
| 0108 | Ananda Dasa -Biography, Compositions | Sri Ananda Dasa Of Surapuram And His Compositions | Chennakesaviah N | 140-142 | 1957 | XXVIII | JMA |
| 0109 | Ananda Dasar's Composition-Notation | Ananda Dasa's Compositions | 143-150 | 1957 | XXVIII | JMA | |
| 0110 | Anandabhairavi Lakshana Discussion | The Experts Conference April 1930 | 221-231 | 1930 | I | JMA | |
| 0111 | Anandabhairavi Lakshana Discussion | Proceedings Of Music Conference 1930 | 173-175 | 1931 | II | JMA | |
| 0112 | Anandabhairavi Lakshana Discussion | Proceedings Of The 12th Music Conference | 10-23 | 1939 | X | JMA | |
| 0113 | Anandabhairavi Lakshana Discussion | Proceedings Of The 13th Music Conference | 43-54 | 1939 | X | JMA | |
| 0114 | Anandadasa's Devarnama - Notation | Devarnama Of Anandadasa Of Surapuram | Chennakesaviah N -Ed. | 187-190 | 1956 | XXVII | JMA |
| 0115 | Anantarama Bhagavatar | Harikatha Bhagavatars | Sarasvati Bai C | 171-175 | 1932 | III | JMA |
| 0116 | Ananthanarayanan's Compositions | Proceedings Of The 45th Music Conference | 22-50 | 1972 | XLIII | JMA | |
| 0117 | Anantharaman M S - Biodata | Proceedings Of The 69th Music Conference | 57-62 | 1996 | LXVII | JMA | |
| 0118 | Anatha Krishna Sharma R -Biodata | Proceedings Of The 31st Music Conference | 37-42 | 1958 | XXIX | JMA | |
| 0119 | Anayampatti Subba Iyer-Biodata | Proceedings Of The 30th Music Conference | 46-50 | 1957 | XXVIII | JMA | |
| 0120 | Anchatanta Tala | Kombu Vadya Of Kerala | Rajagopalan L S | 170-177 | 1973 | XLIV | JMA |
| 0121 | Ancient And Contemporary Music - Comparison | Drone In Indian Music - A Psychological Approach | Deva B C | 126-152 | 1952 | XXIII | JMA |
| 0122 | Andhra University Music Courses | News & Notes | 135-140 | 1935-37 | VI-VIII | JMA | |
| 0123 | Ang Raga Classification In Hindustani | Ragas Of Hindustani Music | Ratanjankar | 97-105 | 1951 | XXII | JMA |
| 0124 | Anga | Significance Of Raganga In Hindustani | Krishna Bisht | 210-216 | 1973 | XLIV | JMA |
| 0125 | Anjaneya | The Early Writers On Music | Vinjamuri Varaha Narasimhacari | 258-262 | 1930 | I | JMA |
| 0126 | Anklung-Indonesian Instrument | Proceedings Of The 57th Music Conference | 20-48 | 1984 | LV | JMA | |
| 0127 | Annamacharya And Tyagaraja-Comparison | Tyagaraja And Annamacharya | Raghavan V | 100-105 | 1968 | XXXIX | JMA |
| 0128 | Annamacharya Compositions | Proceedings Of The 54th Music Conference | 31-44 | 1981 | LII | JMA | |
| 0129 | Annamacharya Kirtanas | Proceedings Of The 65th Music Conference | 22-56 | 1992 | LXIII | JMA | |
| 0130 | Annamacharya Music:Relation-Natyasastra | On The Retrieval Of Annamacharya's Music | Salva Krishnamurthy | 166-171 | 1996 | LXVII | JMA |
| 0131 | Annamacharya-Biography | Annamacharya's Compositions (Tamiz) | Anantasubramanyam T G | 164-180 | 1975 | XLVI | JMA |
| 0132 | Annamacharya's Lyrics - Translation | The Lyrics Of Annamacharya | William J Jackson | 168-196 | 1998 | LXIX | JMA |
| 0133 | Annamacharya's Sankirtana Lakshana-Comprsn | Prosody And Metre In Musical Compositions | Salva Krishnamurthy | 142-148 | 1995 | LXVI | JMA |
| 0134 | Annamacharya's Works And Sankirtans | Annamacharya's Compositions (Tamiz) | Anantasubramanyam T G | 164-180 | 1975 | XLVI | JMA |
| 0135 | Annamalai Reddiyar - Life, Contribution | Kavadi Cindu (Tamiz) | Parthasarathy T S | 118-122 | 1995 | LXVI | JMA |
| 0136 | Annamananda Paramesvaramarar-Timla Artst | The Suddha Maddala Of Kerala | Rajagopalan L S | 119-133 | 1972 | XLIII | JMA |
| 0137 | Annamcharya's Works | Proceedings Of The 67th Music Conference | 19-47 | 1994 | LXV | JMA | |
| 0138 | Annasvami Bhagavatar-Biodata | Proceedings Of The 28th Music Conference | 28-56 | 1955 | XXVI | JMA | |
| 0139 | Annasvami Sastri -Biography | Sri Annaswamisastri And His Compositions | Ritha Rajan | 192-197 | 1983 | LIV | JMA |
| 0140 | Annasvami Sastri's Compositions | Sri Annaswamisastri And His Compositions | Ritha Rajan | 192-197 | 1983 | LIV | JMA |
| 0141 | Antahpura Geete Of Dr Gundappa | Antahpurageete Of Dr.D V Gundappa | Sastri B V K | 136-143 | 1975 | XLVI | JMA |
| 0142 | Antara,Kakali Varieties | Gandharva And Desi | Desai C P | 83-178 | 1970 | XLI | JMA |
| 0143 | Anubandha To Caturdandiprakasika | Muthuswami Dikshitar And Venkatamakhin's Tradition | Sita S | 116-150 | 1976 | XLVII | JMA |
| 0144 | Anubandham | The Varnas Of The Dikshitar Family | Jayasitalakshmi S R | 108-117 | 1992 | LXIII | JMA |
| 0145 | Anusvaras | Proceedings Of The 34th Music Conference | 40-82 | 1961 | XXXII | JMA | |
| 0146 | Anuvadi | The Importance Of Consonance In Ancient Indian Music | Rajanikanta Rao B | 151-163 | 1977 | XLVIII | JMA |
| 0147 | Anyappa Pillai P N -Biodata | Proceedings Of The 31st Music Conference | 37-42 | 1958 | XXIX | JMA | |
| 0148 | Anyoktimuktavali Of Somesvara | The Non Musical Works Of Some Leading Music Writers | Raghavan V | 152-154 | 1949 | XX | JMA |
| 0149 | Applause In Ancient India - Note | A Note On Applause In Ancient India | Raghavan V | 144-148 | 1946 | XVII | JMA |
| 0150 | Applause In Ancient Indian Stage | The Manner Of Applause In Ancient Indian Stage | Gangooly O C | 141-144 | 1946 | XVII | JMA |
| 0151 | Appreciation Of "Ma Janaki" | Ma Janaki Of Sri Tyagaraja | Subba Rao T V | 136-143 | 1949 | XX | JMA |
| 0152 | Appreciation:"Vacamagocara","Banturiti" | Vachamagochara And Banturiti | Subba Rao T V | 53-57 | 1954 | XXV | JMA |
| 0153 | Appukutty Puduval - Mardalam Artist | The Suddha Maddala Of Kerala | Rajagopalan L S | 119-133 | 1972 | XLIII | JMA |
| 0154 | Apurva Ragas Of Tyagaraja - Nomenclature | The Melakarta - A Critique | Ramachandran K V | 31-33 | 1938 | IX | JMA |
| 0155 | Arabhi - Origin | The Ragas And Their Features Before And After Sri Tyagaraja's Time | Hulugur Krishnachar | 113-164 | 1948 | XIX | JMA |
| 0156 | Arabhi Nishada Discussion | Proceedings Of The 14th Music Conference | 9-19 | 1940 | XI | JMA | |
| 0157 | Arabhi,Devagandhari-Lakshana | Proceedings Of The 6th Music Conference | 98-149 | 1933 | IV | JMA | |
| 0158 | Arahara Siva Siva-Text Of Song | Text Of A Tamil Song Of Papavinasa Mudaliar ? | Sankaran T | 249 | 1970 | XLI | JMA |
| 0159 | Aranyaka, Grama Raga | The Indian Musical Scale:Its Development And Continuity | Hulugur Krishnachar | 157-167 | 1930 | I | JMA |
| 0160 | Archika | The Indian Musical Scale:Its Development And Continuity | Hulugur Krishnachar | 157-167 | 1930 | I | JMA |
| 0161 | Archika,Gana | Sama Veda And Music | Raghavan V | 127-133 | 1962 | XXXIII | JMA |
| 0162 | Arichalur Inscriptions-Dance | Inscriptions In Tamilnadu Relating To Dance | Padma Subrahmanyam | 122-132 | 1981 | LII | JMA |
| 0163 | Aripirala Satyanarayana Murthy-Biodata | Proceedings Of The 51st Music Conference | 32-52 | 1978 | XLIX | JMA | |
| 0164 | Ariyakudi Ramanuja Ayyangar - Biodata | Proceedings Of The 16th Music Conference | 17-38 | 1943 | XIV | JMA | |
| 0165 | Ariyakudi Ramanuja Ayyangr-Contribution | Proceedings Of The 59th Music Conference | 22-52 | 1986 | LVII | JMA | |
| 0166 | Arohana Avarohana Combination | Variety In Upanga Ragas Of Karnatak Music | Mukund S | 189-201 | 1981 | LII | JMA |
| 0167 | Arohana, Avarohana Kala Svaras Of Ragas | Arohana And Avarohana Kala Svaras Of 94 Carnatic Ragas Taken | Vissa Appa Rao | 125-134 | 1953 | XXIV | JMA |
| 0168 | Arohas In Raga, Mela Of North | North Indian Ragas And Melas | Roy Robindralal | 1-20 | 1942 | XIII | JMA |
| 0169 | Art Music | The Popular And Classical In Music | Raghavan V | 100-106 | 1957 | XXVIII | JMA |
| 0170 | Arts In Our Daily Life | Philosophy Of The Arts In An Emerging Soceity | Harry S Broudy | 200-213 | 1969 | XL | JMA |
| 0171 | Arunacala Kavirayar | Proceedings Of The 65th Music Conference | 22-56 | 1992 | LXIII | JMA | |
| 0172 | Arunacala Kavirayar | Proceedings Of The 66th Music Conference | 20-57 | 1993 | LXIV | JMA | |
| 0173 | Arunachala Kavirayar's "Aro Ivar Aro" - In Saveri | Proceedings Of The 74th Music Conference | 20-63 | 2001 | LXXII | JMA | |
| 0174 | Arunagirinatha | The Music Of The Tiruppugazh | Parthasarathy T S | 137-148 | 1985 | LVI | JMA |
| 0175 | Arunagirinatha On Music | The Music Of The Tiruppugazh | Parthasarathy T S | 137-148 | 1985 | LVI | JMA |
| 0176 | Arunagirinatha-Life Sketch | The Greatness Of The Compositions Of Saint Arunagirinatha | Rajagopala Iyer P K | 140-167 | 1989 | LX | JMA |
| 0177 | Arutpas | Proceedings Of The 64th Music Conference | 23-60 | 1991 | LXII | JMA | |
| 0178 | Arya Kootu | Inscriptions In Tamilnadu Relating To Dance | Padma Subrahmanyam | 122-132 | 1981 | LII | JMA |
| 0179 | Asamyuta Hastas | Hastamuktavali | Mahesvar Neog -Ed. | appndx | 1958 | XXIX | JMA |
| 0180 | Asaveri | Notes & Comments | 85-87 | 1932 | III | JMA | |
| 0181 | Asaveri Lakshana Discussion | Proceedings Of The 74th Music Conference | 20-63 | 2001 | LXXII | JMA | |
| 0182 | Asaveri Lakshana Discussion | The Experts Conference April 1930 | 221-231 | 1930 | I | JMA | |
| 0183 | Asaveri Lakshana Discussion | Proceedings Of Music Conference 1930 | 173-175 | 1931 | II | JMA | |
| 0184 | Asaveri Lakshana Discussion | Proceedings Of The 12th Music Conference | 10-23 | 1939 | X | JMA | |
| 0185 | Ashtapadiyattam | Kathakali | Brinda Varadarajan | 90-98 | 1988 | LIX | JMA |
| 0186 | Ashtavadhana | Samskrta And Sangita | Rajagopala Iyer P K | 59-78 | 1982 | LIII | JMA |
| 0187 | Assam Music | The Music Of Assam | Das K N | 143-180 | 1950 | XXI | JMA |
| 0188 | Assamese Music | An Old Assamese Work On Timing In Music | Mahesvar Neog | 147-153 | 1951 | XXII | JMA |
| 0189 | Asthana Vidvans Of Mysore | The Spread And Development Of Tyagaraja Kirtanas In Mysore | Chennakesaviah N | 73-77 | 1968 | XXXIX | JMA |
| 0190 | Asvatara,Kambala | Analysis Of Music In Markandeya Purana | Swami Prajnanananda | 130-138 | 1958 | XXIX | JMA |
| 0191 | Atanta Tala | Kombu Vadya Of Kerala | Rajagopalan L S | 170-177 | 1973 | XLIV | JMA |
| 0192 | Athana - Lakshana Discussion | Proceedings Of The 74th Music Conference | 20-63 | 2001 | LXXII | JMA | |
| 0193 | Athana Lakshana Discussion | Proceedings Of Music Conference 1930 | 173-175 | 1931 | II | JMA | |
| 0194 | Athana-Lakshana | Proceedings Of The 44th Music Conference | 21-66 | 1971 | XLII | JMA | |
| 0195 | Atimalarina - Manipravala Ragamalika- Analysis | Multilingual Kriti Of K C Kesava Pillai | Bhagyalakshmi S | 177-186 | 2001 | LXXII | JMA |
| 0196 | Atonal Tonal Styles | International Music | Henry Cowell | 134-139 | 1962 | XXXIII | JMA |
| 0197 | Atta | History Of Indian Music As Gleaned Through Technical Terms,Idioms And Usages | Ranade G H | 146-152 | 1960 | XXXI | JMA |
| 0198 | Attakathas | Iravi Varman Tampi | Venkitasubramonia Iyer S | 126-135 | 1949 | XX | JMA |
| 0199 | Attur Krishna Pisharoti | Some Less Known Composers Of Kerala | Venkitasubramonia Iyer S | 98-106 | 1969 | XL | JMA |
| 0200 | Audience In Music | Indian Music And Aesthetics | Paranjape V G | 68-71 | 1957 | XXVIII | JMA |
Courtesy: compiled by Dr. V. Premalatha Lecturer S.V. University, Tirupati
