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| S.No. | KEYWORD | TITLE | AUTHOR | PAGES | YEAR | ISSUE_VOL | JRNLCODE |
| 0601 | Dikshitar's Note Svaras At Goml | Jatisvara Sahityas Of Sri Muthusvami Dikshitar | Sambamurthi P | 130-135 | 1950 | XXI | JMA |
| 0602 | Dikshita's Group Krtis | Kamalamba Navavarana Kritis Of Muthusvami Dikshita | Parthasarathy T S | 99-108 | 1998 | LXIX | JMA |
| 0603 | Dilipaka - Arohana, Avarohana | Proceedings Of The 23rd Music Conference | 31-58 | 1950 | XXI | JMA | |
| 0604 | Dilipaka, Kharaharapriya | Proceedings Of The 10th Music Conference | 8-18 | 1938 | IX | JMA | |
| 0605 | Dilipaka - Lakshana | Proceedings Of The 43rd Music Conference | 43-60 | 1970 | XLI | JMA | |
| 0606 | Dilipaka - Lakshana Discussion | Proceedings Of The 13th Music Conference | 43-54 | 1939 | X | JMA | |
| 0607 | Divyanama Kirtanas Of Tyagaraja | Sri Tyagaraja's Divyanama Songs | Pudukkottai Subramanya Iyer | 61-72 | 1955 | XXVI | JMA |
| 0608 | Divyaprabandha Krtis | Proceedings Of The 28th Music Conference | 28-56 | 1955 | XXVI | JMA | |
| 0609 | Divyaprabandham | Tirukkoil Isai Murai (Tamiz) | Pakkirisami Bharati K A | 105-117 | 1995 | LXVI | JMA |
| 0610 | Docca Sri Ramamurthy- Biodata | Proceedings Of The 54th Music Conference | 31-44 | 1981 | LII | JMA | |
| 0611 | Doraisvami Iyengar - Biodata | In Memoriam | 169-175 | 1951 | XXII | JMA | |
| 0612 | Dragaica | Rumanian Folk Dances | Peter Bodeut | 100-120 | 1958 | XXIX | JMA |
| 0613 | Dramas Of Europe | Dance And Drama | Egon Vietta | 84-91 | 1957 | XXVIII | JMA |
| 0614 | Drone - Functions | Drone In Indian Music - A Psychological Approach | Deva B C | 126-152 | 1952 | XXIII | JMA |
| 0615 | Drone In Music - Origin | Introduction To The Study Of Bharatiya Sangita Sastra Part- 1 | Hulugur Krishnachar | 7-14 | 1930 | I | JMA |
| 0616 | Drums - Repair & Maintainence | The Structure,Repair And Acoustical Properties Of The Classical Drums Of India-Mrdanga,Tabla | Dennis Murphy | 223-247 | 1965 | XXXVI | JMA |
| 0617 | Drums - Structure | The Structure,Repair And Acoustical Properties Of The Classical Drums Of India-Mrdanga,Tabla | Dennis Murphy | 223-247 | 1965 | XXXVI | JMA |
| 0618 | Drums In Inscriptions | Drums Of India Through The Ages | Krishnaswami S | 72-82 | 1967 | XXXVIII | JMA |
| 0619 | Drums In Sculptures | Musical Instruments Depicted In The Sculptures Of Nagarjuna Konda Andhra Pradesh | Krishnamurthy K | 161-167 | 1964 | XXXV | JMA |
| 0620 | Drums Of India | Drums Of India Through The Ages | Krishnaswami S | 72-82 | 1967 | XXXVIII | JMA |
| 0621 | Dundubhi | Drums Of India Through The Ages | Krishnaswami S | 72-82 | 1967 | XXXVIII | JMA |
| 0622 | Dura Naya Desya In Ragas | Proceedings Of The 39th Music Conference | 24-42 | 1966 | XXXVII | JMA | |
| 0623 | Durvangi | Some Rare Compositions Of Maharaja Of Mysore (Tamiz) | Venkatarama Sastri R K | 170-175 | 1982 | LIII | JMA |
| 0624 | Dutah-Parrot | The Parrot- Its Greatness And As A Messenger | Sudharani Raghupathy | 120-126 | 1988 | LIX | JMA |
| 0625 | Dutikarmaprakasa -Work Of Pundarikavitthala | The Non Musical Works Of Some Leading Music Writers | Raghavan V | 182-183 | 1950 | XXI | JMA |
| 0626 | Dvaram Venkatasvami Naidu - Biodata | Proceedings Of The 16th Music Conference | 17-38 | 1943 | XIV | JMA | |
| 0627 | Dvi Tala Avadhana | Proceedings Of The 26th Music Conference | 18-46 | 1953 | XXIV | JMA | |
| 0628 | Dvijavanti - Lakshana | Proceedings Of The 23rd Music Conference | 31-58 | 1950 | XXI | JMA | |
| 0629 | Dvijavanti - Lakshana | The Music Conference, 1931 | 48-80 | 1932 | III | JMA | |
| 0630 | Dwaram Mangathayaru - Biodata | Proceedings Of The 71st Music Conference | 15-58 | 1998 | LXIX | JMA | |
| 0631 | Edakka - Description | Traditional Musical Instruments Of Kerala | Nayar R B | 165-178 | 1997 | LXVIII | JMA |
| 0632 | Education - Role Of Music | The Place Of Music In Education | Ramasvami Iyer M S | 83-90 | 1930 | I | JMA |
| 0633 | Egypt Music -Origin | The Culture Of Music In Egypt | Swami Prajnanananda | 111-117 | 1966 | XXXVII | JMA |
| 0634 | Egyptian And Mesopotanian Scales | Gandharva And Desi | Desai C P | 83-178 | 1970 | XLI | JMA |
| 0635 | Egyptian Music -Instruments | The Culture Of Music In Egypt | Swami Prajnanananda | 111-117 | 1966 | XXXVII | JMA |
| 0636 | Eka Raga Mela Vina,Sarva Raga Mela Vina | The Rudra Vina Of Somanatha | Ranganayaki Iyengar | 77-90 | 1978 | XLIX | JMA |
| 0637 | Ekoji's Contribution | Literature And The Arts In Maratha | Shelvankar R S | 124-127 | 1987 | LVIII | JMA |
| 0638 | Elathalam, Ilatalam | Traditional Musical Instruments Of Kerala | Nayar R B | 165-178 | 1997 | LXVIII | JMA |
| 0639 | Electronic Drone, Sruti Box | Proceedings Of The 52nd Music Conference | 38-62 | 1979 | L | JMA | |
| 0640 | Electronic Music | Proceedings Of The 37th Music Conference | 24-46 | 1964 | XXXV | JMA | |
| 0641 | Electronic Srutibox | Electronic Sruti Instruments | Sankaranarayanan P E, Minakshi K | 129-132 | 1980 | LI | JMA |
| 0642 | Electronic Tambura | Electronic Sruti Instruments | Sankaranarayanan P E, Minakshi K | 129-132 | 1980 | LI | JMA |
| 0643 | Ellis Experiment | The Problem Of Continuity In Music And Sruti | Deva B C | 56-66 | 1965 | XXXVI | JMA |
| 0644 | Embar Vijayaraghavachariar-Biodata | Proceedings Of The 43rd Music Conference | 43-60 | 1970 | XLI | JMA | |
| 0645 | Embar Vijayaraghavachariar-Biodata | Proceedings Of The 56th Music Conference | 48-51 | 1983 | LIV | JMA | |
| 0646 | Ennapadam Venkatarama Bagavatar's Composition | Proceedings Of The 32nd Music Conference | 21-44 | 1959 | XXX | JMA | |
| 0647 | Ennapadam Venkataramana Bhagavathar-Biodata | Proceedings Of The 32nd Music Conference | 48A-48E | 1959 | XXX | JMA | |
| 0648 | Entrophy Or H-Applications In Karnatak | Entrophy Or Information As A Method Of Raga Classification | Rajagopalan K R | 99-104 | 1965 | XXXVI | JMA |
| 0649 | Equal Temperament | Untempered Intonation In The West | Boatwright H | 113-137 | 1960 | XXXI | JMA |
| 0650 | Erode Visvanatha Iyer-Biodata | Proceedings Of The 39th Music Conference | 60-62 | 1966 | XXXVII | JMA | |
| 0651 | Ethnomusicology | Ethnomusicology | 47-60 | 1956 | XXVII | JMA | |
| 0652 | Ethnomusicology | Proceedings Of The 49th Music Conference | 23-44 | 1976 | XLVII | JMA | |
| 0653 | Ettaka | The Panchavadya | Venkitasubramonia Iyer S | 136-141 | 1967 | XXXVIII | JMA |
| 0654 | Ettayapuram Rulers | Sri Subbarama Dikshitar And His Contributions | Ramakrishnan T S | 194-207 | 1970 | XLI | JMA |
| 0655 | Ettayapuram Ruler's Contribution | Compositions Of Ettayapuram Rulers | Gowri Kuppuswami, Hariharan M | 82-94 | 1991 | LXII | JMA |
| 0656 | Ettotthogai, Pattupaattu - Musical References | Musical References In Sangam Literature | Prema Hariharan, Sulochana Pattabhiraman | 74-84 | 2000 | LXXI | JMA |
| 0657 | Evolution And History Of Music-General | Sri Muthuswami Dikshita And His Contribution To Carnatic Music | Janakiraman S R | 63-82 | 1986 | LVII | JMA |
| 0658 | Evolution Of Song Forms | Kshetrayya And His Padams | Rajanikanta Rao B | 111-125 | 1982 | LIII | JMA |
| 0659 | Exercises :Breathing And Humming | Extracts From Periodicals | 155-167 | 1932 | III | JMA | |
| 0660 | Exercises For Voclists In West And India | Voice Culture - The Female Voice In The Classical Music Of India And The West | Amyruth Catlin | 80-82 | 1979 | L | JMA |
| 0661 | Ezava Vadyam | The Kuram Kuzal Of Kerala | Rajagopalan L S | 144-157 | 1975 | XLVI | JMA |
| 0662 | Ezhirkkai | The Natya Sastra In The Tamil Soil | Padma Subrahmanyam | 89-98 | 1980 | LI | JMA |
| 0663 | Ezhukootrirukkai | Proceedings Of The 71st Music Conference | 15-58 | 1998 | LXIX | JMA | |
| 0664 | False Voice | Voice Culture | Durga S A K | 67-79 | 1979 | L | JMA |
| 0665 | Film Censor Board-Representation From Music | Proceedings Of The 18th Music Conference | 17-32 | 1945 | XVI | JMA | |
| 0666 | Flute - Structure And Making | Improved Flute (Tamiz) | Tyagarajan K | 154-169 | 1973 | XLIV | JMA |
| 0667 | Flute And Human Voice | Bansuri, The Long Flute In Hindustani Music | Padma Rao M N | 84-87 | 1972 | XLIII | JMA |
| 0668 | Flute In Silappatikaram | Improved Flute (Tamiz) | Tyagarajan K | 154-169 | 1973 | XLIV | JMA |
| 0669 | Flute In Western Music | Improved Flute (Tamiz) | Tyagarajan K | 154-169 | 1973 | XLIV | JMA |
| 0670 | Flute Nagaraja Rao | Maharastrian Musicians Of Karnatic Music (South Indian Maharastrians 1937) | 110-116 | 1987 | LVIII | JMA | |
| 0671 | Flute Playing Techniques | Improved Flute (Tamiz) | Tyagarajan K | 154-169 | 1973 | XLIV | JMA |
| 0672 | Flute -Principles Of Sound Production | The Flute And Its Theory | Appa Rao Pantulu Garu | 2-7 | 1931 | II | JMA |
| 0673 | Flute-Evidences & References | Bansuri, The Long Flute In Hindustani Music | Padma Rao M N | 84-87 | 1972 | XLIII | JMA |
| 0674 | Flutes Of Ancient Times | Gandharva And Desi | Desai C P | 83-178 | 1970 | XLI | JMA |
| 0675 | Folk And Classical Tradition | Proceedings Of The 65th Music Conference | 22-56 | 1992 | LXIII | JMA | |
| 0676 | Folk And Karnatak Music | Proceedings Of The 36th Music Conference | 33-61 | 1963 | XXXIV | JMA | |
| 0677 | Folk Muisc Of Yugoslavia | Some Glimpses Into The Music Of Yugoslavia | Mirka Pavlovich | 70-79 | 1958 | XXIX | JMA |
| 0678 | Folk Music | Proceedings Of The 14th Music Conference | 12-23 | 1941 | XII | JMA | |
| 0679 | Folk Music | Proceedings Of The 30th Music Conference | 25-46 | 1957 | XXVIII | JMA | |
| 0680 | Folk Music | The Popular And Classical In Music | Raghavan V | 100-106 | 1957 | XXVIII | JMA |
| 0681 | Folk Music | Music Of The Sopanam | Nayar R B | 67-80 | 1994 | LXV | JMA |
| 0682 | Folk Music - Melodic Charecteristics | Folk Music | Ranade G H | 46-48 | 1938 | IX | JMA |
| 0683 | Folk Music Of Bengal | Folk Base Of The Rhythmic Structures Of Raga Music | Sudhibhushan Bhattacharya | 149-156 | 1971 | XLII | JMA |
| 0684 | Folk Music Of The World | Proceedings Of The 28th Music Conference | 28-56 | 1955 | XXVI | JMA | |
| 0685 | Folk Music Of West | Further Notes Of The Illustrated Talk On Folk Music Of The West | Victoria Kinsley | 83-85 | 1951 | XXII | JMA |
| 0686 | Folk Music-Karnatak Ragas | Folk Music Of Tamilnad | Shyamala | 70-82 | 1963 | XXXIV | JMA |
| 0687 | Folk Music-Maharastra,Adjoining Areas | Folk Songs Of Central India | Josef Kuckertz | 141-150 | 1982 | LIII | JMA |
| 0688 | Folk Songs | Iravi Varman Tampi | Venkitasubramonia Iyer S | 126-135 | 1949 | XX | JMA |
| 0689 | Folk Songs Of America | Proceedings Of The 34th Music Conference | 40-82 | 1961 | XXXII | JMA | |
| 0690 | Folk Songs Of Europe | Proceedings Of The 24th Music Conference | 3-40 | 1951 | XXII | JMA | |
| 0691 | Folk Songs Of Karnataka | Folk Songs In Karnataka | Josef Kuckertz | 170-179 | 1988 | LIX | JMA |
| 0692 | Foreign Authors On Indian Music | Proceedings Of The 67th Music Conference | 19-47 | 1994 | LXV | JMA | |
| 0693 | Forms In Karnatak And Hindustani | South Indian And North Indian Music- Towards Mutual Understanding And Appreciation | Dilip Kumar Mukherjee | 188-193 | 1970 | XLI | JMA |
| 0694 | Fox Strangways - Biodata | Obituary | 211-217 | 1948 | XIX | JMA | |
| 0695 | Frequencies Of Svaras - Derivation | Determination Of The Relative Frequencies And Fundamental Properties Of Swaras Using Modal Shift Tonic | Varadarajan K | 63-73 | 2000 | LXXI | JMA |
| 0696 | Frequency Ratios | Musical Research And Frequency Ratios | Ayyar C S | 64-72 | 1950 | XXI | JMA |
| 0697 | Frequency Ratios Of Notes | Teaching Of The Violin And Its Science | Ayyar C S | 87-90 | 1955 | XXVI | JMA |
| 0698 | Fretted Vinas | Fretted Vina In Indian Sculpture | Tarlekar G H | 170-175 | 1965 | XXXVI | JMA |
| 0699 | Fretting | The Correct Method Of Fretting Musical Instruments | Hulugur Krishnachar | 85-91 | 1945 | XVI | JMA |
| 0700 | Fretting Of Vina | Proceedings Of The 18th Music Conference | 17-32 | 1945 | XVI | JMA | |
| 0701 | Fretting Of Vina By Ramamatya | Some Leading Music Systems | Ayyar C S | 97-103 | 1946 | XVII | JMA |
| 0702 | Fretting Tuning In Ancient Times | Introduction To The Study Of Bharatiya Sangita Sastra Part- 1 | Hulugur Krishnachar | 7-14 | 1930 | I | JMA |
| 0703 | Fretting Vina-Errors | Raghunatha Mela Vina | Ramanathan S | 143-147 | 1964 | XXXV | JMA |
| 0704 | Gadya Prabandhas | Proceedings Of The 59th Music Conference | 22-52 | 1986 | LVII | JMA | |
| 0705 | Gamak In Hindustani | Classicism And Romanticism In Hindustani Music | Nalini Gajendragadkar | 77-84 | 1964 | XXXV | JMA |
| 0706 | Gamaka | The Suddha Svara Saptaka | Hulugur Krishnachar | 9-16 | 1933 | IV | JMA |
| 0707 | Gamaka | A Comparison Of Visual And Auditory Perception In Musical Experience | Ramabhadran G N | 116-137 | 1964 | XXXV | JMA |
| 0708 | Gamaka | The Contribution Of Sitar To Hindustani Music | Indrani Chakravarthi | 159-168 | 1981 | LII | JMA |
| 0709 | Gamaka By Parsvadeva | The Eternal Paradox In Indian Music- The Srutis | Ranade G H | 115-119 | 1957 | XXVIII | JMA |
| 0710 | Gamaka In Notation | The Indian Sarigama Notation | Ramanathan S | 83-90 | 1961 | XXXII | JMA |
| 0711 | Gamaka Signs For The Present Day Use | Gamaka Signs In Musical Notation | Vidya S | 117-121 | 1943 | XIV | JMA |
| 0712 | Gamaka Signs In Notation | Proceedings Of The 9th Music Conference | 170-180 | 1935-37 | VI-VIII | JMA | |
| 0713 | Gamaka Signs In Ssp | Gamaka Signs In Musical Notation | Vidya S | 117-121 | 1943 | XIV | JMA |
| 0714 | Gamaka Teaching | Teaching Gamakas To Students | Ayyar C S | 61-63 | 1956 | XXVII | JMA |
| 0715 | Gamaka Types With Illustration | Gamakas (Tamiz) | Vidya Shankar | 89-97 | 1969 | XL | JMA |
| 0716 | Gamakas | Just Intonation In Hindustani Raga Singing | Ratanjankar | 89-100 | 1949 | XX | JMA |
| 0717 | Gamakas : Oscillographic Recording | A Study Of The Microtonal Variations In Frequencies In Carnatic Music With An Oscillograph | Ayyar C S | 114-125 | 1949 | XX | JMA |
| 0718 | Gamakas Alankaras In Vina Playing | Introduction To The Study Of Bharatiya Sangita Sastra Part- 1 | Hulugur Krishnachar | 7-14 | 1930 | I | JMA |
| 0719 | Gamakas By D G Stoll | Noteworthy Contents In Other Journals | 102-123 | 1945 | XVI | JMA | |
| 0720 | Gamakas In Dikshitar Krtis | Proceedings Of The 49th Music Conference | 23-44 | 1976 | XLVII | JMA | |
| 0721 | Gamakas In Hindustani Music | Gamakas In Hindustani Music | Ratanjankar | 95-107 | 1960 | XXXI | JMA |
| 0722 | Gamakas In Hindustani Ragas | Proceedings Of The 33rd Music Conference | 28-55 | 1960 | XXXI | JMA | |
| 0723 | Gamakas In North And South Indian Music | Proceedings Of The 43rd Music Conference | 43-60 | 1970 | XLI | JMA | |
| 0724 | Gamakas In Ratnakara,Samayasara | Gamakas Of Hindustani Music | Gautam M R | 202-209 | 1981 | LII | JMA |
| 0725 | Gamakas In Vina And Khyal | History Of Indian Music As Gleaned Through Technical Terms,Idioms And Usages | Ranade G H | 146-152 | 1960 | XXXI | JMA |
| 0726 | Gamakas-Kampa,Udatta-Connotation | The Necessity Of Proper Connotation Of The Meaning Of Technical Terms Of Our Music | Ranade G H | 122-124 | 1966 | XXXVII | JMA |
| 0727 | Gamakas-Oscillograph Records | Micro Tonal Variations | Ayyar C S | 49-52 | 1954 | XXV | JMA |
| 0728 | Gamakas-Playing Techniques | Gamakas (Tamiz) | Vidya Shankar | 89-97 | 1969 | XL | JMA |
| 0729 | Gamakas-Varieties, Notation | Notation And Teaching Of Gamakas | Vidya Shankar | 182-186 | 1984 | LV | JMA |
| 0730 | Gamelan | Notes-Music Of Java | Hood | 130-132 | 1959 | XXX | JMA |
| 0731 | Gana Kala Of Ragas | Continuity In Indian Raga Tradition | Nijenhuis E Te | 146-169 | 1972 | XLIII | JMA |
| 0732 | Ganam-Varieties | Gandharva Veda (Tamiz) | Venkatanarayanacharyulu T N C | 154-160 | 1964 | XXXV | JMA |
| 0733 | Ganas | Rhythmic Analysis Of Some Selected Tiruppugazh Songs | Tiruchy Sankaran | 92-102 | 1989 | LX | JMA |
| 0734 | Gandhara Bhava | Significant Use Of Srutis In North Indian Ragas | Roy Robindralal | 89-93 | 1960 | XXXI | JMA |
| 0735 | Gandhara Country | An Outline Literary History Of Indian Music | Raghavan V | 64-74 | 1952 | XXIII | JMA |
| 0736 | Gandhara Grama | Survival Of The Useful And The Beautiful In The Realm Of Music | Sambamurthi P | 80-89 | 1946 | XVII | JMA |
| 0737 | Gandhara Grama | Change Of Tone System In Indian Music | Nijenhuis E Te | 109-131 | 1975 | XLVI | JMA |
| 0738 | Gandhara-Bhava | Proceedings Of The 33rd Music Conference | 28-55 | 1960 | XXXI | JMA | |
| 0739 | Gandharva | An Outline Literary History Of Indian Music | Raghavan V | 64-74 | 1952 | XXIII | JMA |
| 0740 | Gandharva | Samskrta And Sangita | Rajagopala Iyer P K | 59-78 | 1982 | LIII | JMA |
| 0741 | Gandharva In Texts | The Role Of Sanskrit In The Development Of Indian Music | Janaki S S | 66-98 | 1985 | LVI | JMA |
| 0742 | Gandharva Veda | The Role Of Sanskrit In The Development Of Indian Music | Janaki S S | 66-98 | 1985 | LVI | JMA |
| 0743 | Gandharva Vedasara | The Early Writers On Music | Vinjamuri Varaha Narasimhacari | 258-262 | 1930 | I | JMA |
| 0744 | Ganendu Sekharam - Contents | Contribution Of Tachur Singaracharyulu | Rajalakshmi Santhanam | 85-89 | 2000 | LXXI | JMA |
| 0745 | Gat,Gat-Bhav | Some Aspects Of Kathak Dancing | Nirmala Joshi | 101-105 | 1959 | XXX | JMA |
| 0746 | Gathika | The Indian Musical Scale:Its Development And Continuity | Hulugur Krishnachar | 157-167 | 1930 | I | JMA |
| 0747 | Gaths | The Closed Forms Of Hindustani Music | Ratanjankar | 78-88 | 1949 | XX | JMA |
| 0748 | Gati Bhedam In Mridangam Playing | Proceedings Of The 71st Music Conference | 15-58 | 1998 | LXIX | JMA | |
| 0749 | Gati,Matras | Talam | Sundaresa Sastri P G | 57-66 | 1949 | XX | JMA |
| 0750 | Gatra Vina | Gandharva And Desi | Desai C P | 83-178 | 1970 | XLI | JMA |
| 0751 | Gattuvadya | Proceedings Of The 23rd Music Conference | 31-58 | 1950 | XXI | JMA | |
| 0752 | Gauda Sarang-Lakshana | Karnatic Ragas From A New Angle-Apurva Ragas Of Tyagaraja's Songs | Ramachandran K V | 105-127 | 1996 | LXVII | JMA |
| 0753 | Gauda Sufficed Ragas | North Indian Ragas And Melas | Roy Robindralal | 1-20 | 1942 | XIII | JMA |
| 0754 | Gaudasarang - Lakshana | Carnatic Ragas From A New Angle - Sankarabharana | Ramachandran K V | 88-99 | 1950 | XXI | JMA |
| 0755 | Gaulipantu Lakshana | Proceedings Of The 24th Music Conference | 3-40 | 1951 | XXII | JMA | |
| 0756 | Gaulipantu Lakshana Discussion | The Experts Conference April 1930 | 221-231 | 1930 | I | JMA | |
| 0757 | Gaulipantu Lakshana Discussion | Proceedings Of Music Conference 1930 | 173-175 | 1931 | II | JMA | |
| 0758 | Gauri - Lakshana - Discussion | Proceedings Of The 8th Music Conference | 159-169 | 1935-37 | VI-VIII | JMA | |
| 0759 | Gauri-Lakshana | Some Related Ragas | Janakiraman S R | 91-97 | 1978 | XLIX | JMA |
| 0760 | Gaurimanohari (Gauri Velavali)-Lakshana | Proceedings Of The 43rd Music Conference | 43-60 | 1970 | XLI | JMA | |
| 0761 | Gavi Rangappa-Biography And Krtis | Gavi Rangappa's Kritis | Chennakesaviah N | 98-101 | 1978 | XLIX | JMA |
| 0762 | Gayaka - Characteristics | The Ideal Gayaka | Narayanadas A | 116-119 | 1930 | I | JMA |
| 0763 | Gayaka Doshas From Texts | Indian Music | Arnold A Bake | 24-30 | 1938 | IX | JMA |
| 0764 | Gayaka Parijata - Contents | Contribution Of Tachur Singaracharyulu | Rajalakshmi Santhanam | 85-89 | 2000 | LXXI | JMA |
| 0765 | Gayaka Siddhanjanam - Contents | Contribution Of Tachur Singaracharyulu | Rajalakshmi Santhanam | 85-89 | 2000 | LXXI | JMA |
| 0766 | Gayaki In Hindustani Music | Gayaki In Hindustani Music | Yunus Hussain Khan | 134-135 | 1972 | XLIII | JMA |
| 0767 | Geet -Bar Geet | The Musico Religious Traditions Of Assam | Sabita Devi | 63-69 | 1958 | XXIX | JMA |
| 0768 | Gender Roles In Dance | Attitudes Towards Gender In Bharatanatyam | Anne Marie Gaston | 172-186 | 1996 | LXVII | JMA |
| 0769 | Gestures-Fundamentals | Indian Dance | Sri Ragini Devi | 153-154 | 1933 | IV | JMA |
| 0770 | Gettu Vadyam | Proceedings Of The 66th Music Conference | 20-57 | 1993 | LXIV | JMA | |
| 0771 | Ghana Ragas | The Panca Ratna Kritis Of Sri Tyagaraja | Parthasarathy T S | 146-159 | 1990 | LXI | JMA |
| 0772 | Ghanam Krishna Iyer - Life Sketch | Ghanam Krishna Iyer | Subhashini Parthasarathy | 153-157 | 1997 | LXVIII | JMA |
| 0773 | Ghanam Krishna Iyer -Contribution | Ghanam Krishna Iyer | Subhashini Parthasarathy | 153-157 | 1997 | LXVIII | JMA |
| 0774 | Ghanam Siniah | Classical Carnatic Vaggeyakaras And Compositions Of The Pri-Trinity Period From Ssp Of Subarama Dikshitar | Ramakrishnan T S | 61-69 | 1972 | XLIII | JMA |
| 0775 | Ghandarva,Desi In Treatises | Gandharva And Desi | Desai C P | 83-178 | 1970 | XLI | JMA |
| 0776 | Ghandarvam,Ganam | The Historical Development Of Prabandha Giti | Swami Prajnanananda | 80-88 | 1960 | XXXI | JMA |
| 0777 | Ghantakarna Subrahmanya Iyer And Rama Rao:Concert | The Compositions Of Sangeeta Ratna Vidwan S Rama Rao (Chikka Rama Rao) Of Mysore | Padma Gurudutt | 90-95 | 2000 | LXXI | JMA |
| 0778 | Ghanta-Lakshana | Proceedings Of The 6th Music Conference | 102-130 | 1934 | V | JMA | |
| 0779 | Gharanas | Proceedings Of The 42nd Music Conference | 39-62 | 1969 | XL | JMA | |
| 0780 | Gharanas Of Hindustani Music | Proceedings Of The 60th Music Conference | 46-72 | 1987 | LVIII | JMA | |
| 0781 | Ghatam Artists | Ghata Vadya | Sundaram Iyer | 52-55 | 1930 | I | JMA |
| 0782 | Ghatam Devarajulu Naidu | In Memorium | 79-80 | 1938 | IX | JMA | |
| 0783 | Ghatam Krishnayyar - Biography | Ghata Vadyam Pazani Krishnayyarin Caritram (Tamiz) | Seshammal | 34-36 | 1938 | IX | JMA |
| 0784 | Ghatam Mani Iyer -Biodata | Proceedings Of The 35th Music Conference | 64-71 | 1962 | XXXIII | JMA | |
| 0785 | Ghatam Playing And Features | Ghata Vadya | Sundaram Iyer | 52-55 | 1930 | I | JMA |
| 0786 | Ghatam Structure, Making | Ghata Vadya | Sundaram Iyer | 52-55 | 1930 | I | JMA |
| 0787 | Ghatam Vilvadri Iyer-Biodata | Proceedings Of The 39th Music Conference | 60-62 | 1966 | XXXVII | JMA | |
| 0788 | Ghazal | The Closed Forms Of Hindustani Music | Ratanjankar | 78-88 | 1949 | XX | JMA |
| 0789 | Ghunguru - Rare Instrument | Ghunguru - A Rare Musical Instrument | Raghavan V | 206 | 1948 | XIX | JMA |
| 0790 | Ghurjari - Lakshana | Proceedings Of The 10th Music Conference | 8-18 | 1938 | IX | JMA | |
| 0791 | Ghurjari - Lakshana | Proceedings Of The 51st Music Conference | 32-52 | 1978 | XLIX | JMA | |
| 0792 | Giripai - Appreciation | Giripai Of Tyagaraja | Subba Rao T V | 98-103 | 1953 | XXIV | JMA |
| 0793 | Giriraja Kavi | Classical Carnatic Vaggeyakaras And Compositions Of The Pri-Trinity Period From Ssp Of Subarama Dikshitar | Ramakrishnan T S | 61-69 | 1972 | XLIII | JMA |
| 0794 | Giriraja Kavi | Contribution Of Sahaji Maharaja Of Tanjore To Music And Dance | Sita S | 68-95 | 1975 | XLVI | JMA |
| 0795 | Gita | The Significance Of The Division Of Pallavi,Anupallavi And Charana In Musical Compositions | Janakiraman S R | 128-138 | 1977 | XLVIII | JMA |
| 0796 | Gita Gopala Of Cikkadevarajawodeyar | Geeta Gopala | Sastri B V K | 157-164 | 1971 | XLII | JMA |
| 0797 | Gita Govinda | Sangita Raghavam Of Rama Kavi | Gowri Kuppuswami, Hariharan M | 144-151 | 1988 | LIX | JMA |
| 0798 | Gita Govinda And Commentaries | Gita Govinda And The Artistic Traditions Of India | Kapila Vatsyayan | 131-146 | 1974 | XLV | JMA |
| 0799 | Gita Govinda-Commentaries | Two Commentaries On The Gita Govinda Recently Recovered In Assam | Sharma S N | 130-136 | 1954 | XXV | JMA |
| 0800 | Gita In Sangita | A Note On Nada Sruti And Svara | Venkatarama Sharma V | 103-115 | 1930 | I | JMA |
Courtesy: compiled by Dr. V. Premalatha Lecturer S.V. University, Tirupati